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Narrow streets EssayDickens shows us that although Louisa and Tom have been repressed and behave dutifully, they still have normal, natural feelings. Louisa is even off allowed to express a little of her resentment and rebellion in her reply to her fathers remonstrations when caught watching the circus. This is shown again when Dickens describes the incident when Bounderby asks Louisa for a kiss. Even Tom is expound as sulkily remonstrating with her but it is made clear that Louisa is the stronger character. In these ways Dickens takes us below the factual surface of the incidents and we glimpse the childrens true feelings for a moment.How does Dickens want readers to react to his description of Coketown in Ch. 5?We atomic number 18 introduced to Coketown in the most emotive language. Once again the very name gives the smoky, loathsome picture of COKE-town. The adjectives and comparisons he chooses are, like Gradgrind and Bounderby, overbearing and filled with a feeling of a ll-pervading grimness and practicality. He uses metaphor to connote the fires of hell (serpents of smoke, melancholy madness) and the theme of monotony and unrelenting repetition is continued through his description of the motion of machinery and the lay-out of the town. Once again repetition of the word fact, often ironically, gives the feeling of flatness and unnatural drop of human interest or feeling in the town. This leads the reader to feel a horror of this evil smelling place in which so numerous poor, working mountain are not only emotionally repressed, but also physically crushed tightly together in narrow streets.The fountain pages are a social comment on the difference between the abject monotony and poverty of the people working in the mills and the carnal knowledge comfort of their employers. He uses heavy irony and humour in describing the activities of the people of the town drawing a parallel between their degree of choice and their financial status. While the self-righteous wealthy citizens can indulge themselves in worthy, self-righteous activities such as church going and tea-parties, the listless poor, exhausted by their periodic toil, would get drunk and took opium. However, living in Coketown, both sets of people are constrained to deny any natural feelings or enjoyment, as life was pragmatic, categorical and based on Facts (with a capital F).Then suddenly, amidst all this pragmatic boredom, he introduces a band of cheerful, caring, visiting travellers in the form of the circus entertainers people who have not been choked by the Coketown utilitarian ethic. Dickens professes ironic amusement at their simplicity and sentimentality whilst collusively encouraging the reader to join with him in valuing these humanitarian precepts.What have you learned about Mr Bounderby in Chs. 4 and 5?From his initial appearance Dickens shows us that Mr Bounderby is somewhat like Mr Gradgrind he maiden appears (namelessly) at Gradgrinds side in the schoolroom. Later, when the children are discovered peeping through the circus tent, Gradgrind admonishes What would Mr Bounderby say several times to emphasise the impression that Bounderby is disapproving, self-righteous and opinionated unless holds a position of social power.Dickens tells us that he is a rich man, a banker, merchant, manufacturer and what not and by this last expression (and what not) mocks the show of these occupations. He uses irony in inflated like a balloon and Bully of humility to reduce Bounderby to nothing of any honor. The words given to Bounderby are always simultaneously self-deprecating and yet self-congratulatory as he continually reminds us of his humble beginnings, beginnings that Dickens allows him to exaggerate beyond any possibility of belief.The adjectives use to Bounderby are even more cold and hard than those used to describe Gradgrind and we are left with an impression of complete heartlessness. Thus, through the devices of irony, exaggera tion, metaphor and emotive, derogatory adjectives we fancy that Bounderby is a bounder in every sense dishonest, self-interested pompous, self-absorbed and not to be trusted. Above all he believes, as does Gradgrind, in the sole value of facts and lacks any natural human feelings